Dorian Vex
Motion & 3D designer making title sequences, product films, and the odd thing that moves on a wall.
The work
I design and direct motion for film, broadcast, and brands — usually from the first frame to the final render. Most projects start as a look: a few stills, a palette, and a sense of how the thing should move before a single keyframe is set. From there it is a tight loop of animatics and look-dev until the piece feels inevitable rather than assembled. I work solo on smaller commissions and pull in a small bench of animators and compositors when a job needs more hands, so the people who pitched your project are the ones who finish it.
Capabilities
A short list of what I take on. Most engagements combine two or three of these rather than one in isolation.
- — Title sequences & broadcast design
- — Product & explainer films
- — 3D look development & rendering
- — Realtime & installation pieces
If what you need is not on the list but lives nearby, send it anyway — the interesting briefs rarely fit a menu, and I would rather hear the actual problem.
Elsewhere
New work and tests go up first on Instagram and Behance; the longer cuts live on the reel. Email is the surest way to reach me.
You are on the list
New work, availability, and booking windows reach this list before anywhere else. When something fits your timeline, reply directly — it lands with me.